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Giuseppe Pinot-Gallizio
Giuseppe Pinot-Gallizio (1902–1964) was an Italian painter, the formulator of Industrial Painting, and a founding member of the Situationist International. He was also a scholar of popular culture, archaeology, nomadism, and botany.〔Mirella Bandini ''an enormous and unknown chemical reaction: the EXPERIMENTAL LABORATORY in ALBA'', published in Elisabeth Sussman (1989) ''On the passage of a few people through a rather brief moment in Time: The Situationist International 1957-1972''〕
==Life==
Pinot-Gallizio was born in Alba, Piedmont, where he became an independent Left councilman and a chemist. In 1955, he met Asger Jorn, with whom he co-founded the Experimental Laboratory of the Imaginist Bauhaus in Alba, which was part of the International Movement for an Imaginist Bauhaus, in opposition to the return to productivism by others in the Bauhaus school, in particular Max Bill. It was held in Pinot-Gallizio's studio, a monastery from the seventeenth century, and was attended by such artists as Enrico Baj who experimented with nuclear painting techniques, Walter Olmo, who experimented with musical interventions, Ettore Sottsass, Elena Verrone, and Piero Simondo.〔
Pinot-Gallizio drew from his background as a chemist in developing new painting techniques. In 1956 he, along with Jorn, organized the First World Congress of Free Artists, at which a representative from the Lettrist International spoke, foreshadowing the foundation of the Situationist International in 1957 by members of both groups, including Pinot-Gallizio. At this conference the Italian artists withdrew from the Laboratory, and after the formation of the SI only Pinot-Gallizio and his son, Giors Melanotte, remained. He helped to make the SI known in the art world with an exhibition in Paris in 1959.〔Peter Wollen ''Bitter Victory: The Art and Politics of the Situationist International'', published in Elisabeth Sussman (1989) ''On the passage of a few people through a rather brief moment in Time: The Situationist International 1957-1972''〕
He left the SI in 1960 as it became focused on political, rather than artistic, action. He died in Alba in 1964, and the laboratory continued its work until his death.
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